Vivaldi when was he born




















Vivaldi: facts about the great composer Four Seasons, five siblings, and more than different pieces of music. Vivaldi's baptism Vivaldi was baptised immediately after he was born, in his own home. The red priest Vivaldi's crop of curly red hair, inherited from his father, prompted friends to nickname the composer 'il Prete Rosso' - the red priest.

Vivaldi's ill health Vivaldi suffered from what he called 'strettezza di petto' tightness of the chest throughout his life - this severe asthma inhibited his speech, and even made him weak and dizzy when he spoke. Vivaldi's best music locked away? Lost and found: Vivaldi's undiscovered music Much of Vivaldi's music that was lost or hidden is being gradually rediscovered. Vivaldi: a bad priest? The Four Seasons Vivaldi wrote fragments of poetry on the manuscript for his 'The Four Seasons', and no one's sure who wrote them.

Vivaldi's concertos 'The Four Seasons' may well be his most famous piece, but Vivaldi wrote more than other concertos for other instruments including mandolin, cello, flute, viola d'amore, recorder, and lute. Vivaldi week When Vivaldi's now famous Gloria was rediscovered, Alfredo Casella loved the composer so much, he organised 'Vivaldi Week' where the Gloria and l'Olympiade were revived in In love with a student?

Vivaldi's music in films Vivaldi's music isn't just a concert hall favourite; it's also been featured in many films. Within Italy he traveled to various cities to direct performances of his operas.

He left Venice for the last time in He died in Vienna on July 26 or 27, Vivaldi was very productive in vocal and instrumental music, sacred and secular nonreligious. According to the latest research, he composed over seven hundred pieces—ranging from sonatas instrumental compositions usually with three or four movements and operas musical dramas consisting of vocal and instrumental pieces to concertos musical compositions for one or two vocal performers set against a full orchestra.

Today the vocal music of Vivaldi is little known. But in his own day he was famous and successful as an opera composer. Vivaldi was also one of the great eighteenth century violin virtuosos, or musicians with superb ability. This virtuosity is reflected in his music, which made new demands on Antonio Vivaldi. Reproduced by permission of Archive Photos, Inc. In his instrumental works he naturally favored the violin. He wrote the majority of his sonatas for one or two violins and thorough-bass.

Of his concertos, are for solo violin and orchestra. Other concertos are for a variety of solo instruments, including the flute, the clarinet, the trumpet, and the mandolin. He also wrote concertos for several solo instruments, concerti grossi, and concertos for full orchestra.

The concerto grosso features a small group of solo players, set against the full orchestra. The concerto for orchestra features differences of style rather than differences of instruments.

Vivaldi's concertos are generally in three movements, arranged in the order of fast, slow, fast. So too do his unusual combinations of instruments, his chromaticism and his use of special effects such as scordatura in RV and RV He also composed around 90 sonatas, which maintain traditional formal designs and stylistic traits.

The Trio Sonatas op. In other sonatas, the previously distinct genres of church and chamber music are subtly merged. Of the forty or so operas Vivaldi composed, only twenty-one have survived, and many of these are incomplete. Sacred genres are also opened up to external influences in his work. Musical ideas from operatic and orchestral music make regular appearances. Most of his cantatas are for solo voice soprano or alto and continuo, based on the model established by composer Alessandro Scarlatti.

And this is precisely what they were. Often termed an "orphanage", this Ospedale was in fact a home for the female offspring of noblemen and their numerous dalliances with their mistresses.

The Ospedale was thus well endowed by the "anonymous" fathers; its furnishings bordered on the opulent, the young ladies were well looked-after, and the musical standards among the highest in Venice. Many of Vivaldi's concerti were indeed exercises which he would play with his many talented pupils. Antonio Vivaldi's relationship with the Ospedale began right after his ordination in , when he was named as violin teacher there.

Until , Vivaldi's appointment was renewed every year and again after Between and Vivaldi was not attached to the Ospedale. Perhaps in this period he was already working for the Teatro Sant' Angelo, an opera theater. He also remained active as a composer - in twelve concertos he had written were published in Amsterdam by the music publisher Estienne Roger under the title l'Estro armonico Harmonic Inspiration.

In the season he was once again attached to the Teatro Sant' Angelo, where he produced an opera by the composer Giovanni Alberto Rostori As far as his theatrical activities were concerned, the end of was a high point for Vivaldi. This work was an allegorical description of the victory of the Venetians the Christians over the Turks the barbarians in August At the end of A.

Vivaldi moved to Mantua for two years in order to take up his post as Chamber Capellmeister at the court of Landgrave Philips van Hessen-Darmstadt. His task there was to provide operas, cantatas, and perhaps concert music, too. His opera Armida had already been performed earlier in Mantua and in Teuzzone and Tito Manlio followed. On the score of the latter are the words: "music by Vivaldi, made in 5 days.

In Antonio Vivaldi returned to Venice where he again staged new operas written by himself in the Teatro Sant' Angelo. In Mantua he had made the acquaintance of the singer Anna Giraud or Giro , and she had moved in to live with him. Vivaldi maintained that she was no more than a housekeeper and good friend, just like Anna's sister, Paolina, who also shared his house. In his Memoires, the Italian playwright Carlo Goldoni gave the following portrait of Vivaldi and Giraud: "This priest, an excellent violinist but a mediocre composer, has trained Miss Giraud to be a singer.



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